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Teresa Lotz

Teresa Lotz

She/Her

Biography

Teresa Lotz writes music and words. Her work includes Red Emma & the Mad Monk (NY Times Critic’s Pick, LadyFest 2018 at The Tank, Ars Nova ANT Fest 2017, dir. Katie Lindsay) written by Alexis Roblan, She Calls Me Firefly (World Premiere: Soho Playhouse, June 2018, dir. Ludovica Villar-Hauser), A Surrealist Sort of View (music, Prospect Theater Company’s WORLD VIEWS – 2017 Musical Theater Lab, dir. Dev Bondarin) with book-writer/lyricist Sarah Rebell, Mommy’s Little Princess (The Barbour Award Finalist, The Episcopal Actor's Guild, March 2018, dir. Daniella Caggiano), ThreeTimesFast (book and music) with bookwriter/lyricist Naomi Matlow (O'Neill Theater Festival Semi-Finalist, Pallas Theater Table Read Series Winner 2017, The Script at Stage 74, NYC, dir. Michael Bello 2017, New York Film Academy, Winter New Works Series 2016, NYC, dir. Robert Longbottom), The Awakening (music) with bookwriter/lyricist Sarah Rebell (book/lyrics) (Reading, Musical Theatre Factory Developmental Series, Playwright’s Horizons, 2016 dir. Celine Rosenthal). Teresa is a member of New Perspectives Theatre Company Women's Work Lab (2012-2017), Dramatist’s Guild, ASCAP, and the League of Professional Theatre Women. Musical Theatre Writing, M.F.A. New York University. TeresaLotz.com

Professional Experience

  • Off Broadway
  • Concerts/Cabaret

Regions

  • NYC/Tri-State Area

Maestra Expertise

  • Theatrical Composer (Music and Lyrics)
  • Theatrical Bookwriter
  • Music Director/Conductor (Pianist)
  • Music Assistant
  • Songwriter
  • Singer/Songwriter
  • Orchestrator
  • Vocal Arranger
  • Sound Designer/Composer
  • Class/Voice Lesson/Rehearsal Pianist
  • Rehearsal Pianist

Primary Instruments

  • Piano

Software

  • Logic
  • Sibelius

Affiliations

  • ASCAP
  • THE DRAMATISTS GUILD