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Sarah Taylor Ellis

Sarah Taylor Ellis


Sarah Taylor Ellis writes music that empowers female voices and blurs the boundaries among music theatre, art song, and opera.

Sarah is currently composing music for The National Theatre's Hamlet for young audiences, adapted by Jude Christian with direction by Tinuke Craig. Hamlet will tour local schools for six weeks before playing at the Dorfman from March 30 - April 9, 2020.

Four-time Olivier Award winner Maria Friedman starred as Hecuba in the recent London reading of The Trojan Women, produced by HERA and directed by Adele Thomas; Friedman is attached for the premiere production. With libretto by Ellen McLaughlin, this hybrid musical/chamber opera is the recipient of a 2019 OPERA America Discovery Grant. This piece had its first workshop at the New York Society Library in January 2018, directed by Obie Award winner Rachel Dickstein.

These Girls Have Demons, an original feminist rock musical with book and lyrics by Ovation Award-winning playwright Meghan Brown, is currently in development with Pittsburgh CLO. The musical received a two-week workshop in Pittsburgh CLO's inaugural SPARK festival in April 2018 with direction by Kristin McCarthy Parker (Puffs); a writers' residency in August 2018; and a New Musicals Weekend reading in April 2019 directed by Ellie Heyman, Director in Residence at Joe's Pub. Demons' next workshop will be with CCM (College-Conservatory of Music, University of Cincinnati) in April 2020.

Sarah's contemporary classical adaptation of Jane Austen's Emma, with book and lyrics by Meghan Brown, had a 2018 industry reading in London directed by Thom Southerland and starring Carly Bawden, Rupert Young, Alex Young, and Ashleigh Gray; Emma also had a 2017 industry reading in NYC starring Kerstin Anderson, Claybourne Elder, and Ruthie Ann Miles. Emma has been further developed with Apples and Oranges Studios (An American in Paris, Memphis, Hair) and Gallery Players in Brooklyn.

Sarah's "hauntingly beautiful" chamber musical The Yellow Wallpaper received a full production by DC's Pallas Theatre Collective in July 2014; it is featured in Literature, Film, and Their Hideous Progeny: Adaptation and ElasTEXTity. Sarah's family musical Thank You, Mr. Falker was presented as part of the 2011 LA Festival of New American Musicals. Sarah has composed songs for The Civilians' cabaret series Let Me Ascertain You at Joe's Pub, and she collaborated on an original choral piece, "We Walk Through," that kicked off the Women's March on NYC on January 21, 2017. Sarah's composition of "Mayme's Song," originally written for a star-studded reading of Intimate Apparel at NYC's Signature Theatre, has since been featured in productions across the US.

As a dramaturg, Sarah has supported the development of innovative new plays and musicals ranging from Psittacus Productions' Pulitzer Prize-nominated Cyclops: A Rock Opera to the anarchist song cycle Untuned Ears Hear Nothing But Discord, which Tony Award-winner Lindsay Mendez premiered in Lincoln Center's 2015 American Songbook Series. Sarah's theater criticism and scholarship has been published in American Theatre, L.A. Weekly, Studies in Musical Theatre, and anthologies with Palgrave and Routledge. Her monograph Doing the Time Warp: Queer Temporalities and Musical Theatre will be published by Methuen Drama in 2020.

Sarah is currently Head of Music at Arts Educational Schools, London (ArtsEd). She holds a Ph.D. in Theater & Performance Studies from UCLA and a B.A. from Duke University.

Professional Experience

  • Regional
  • Concerts/Cabaret
  • Education


  • United Kingdom

Hireable as

  • Theatrical Composer (Music only)
  • Music Director/Conductor (Pianist)
  • Classroom music teacher at an educational institution

My Instruments

  • Piano


  • Finale


  • She/Her