Rachel J Peters
Composer/librettist Rachel J. Peters writes primarily operas that sound like musicals and musicals that sound like operas, including: Lesson Plan (On Site Opera), Companionship (Virginia Arts Festival, Fort Worth Opera), Rootabaga Country (Sarasota Opera), The Wild Beast of the Bungalow with Royce Vavrek (Oberlin Conservatory), No Ladies in the Lady’s Book (Utah Opera; published by E.C. Schirmer), Staggerwing (Opera Kansas), and Men I’m Not Married To (Cleveland Opera Theater) with Lisa DeSpain; Steve (Boston Opera Collaborative), and Everything Comes to a Head with Margi Preus and Jean Sramek (Lyric Opera of the North/Decameron Opera Coalition). She has the distinct honor of writing the only opera score including a barfing cat ever performed (so far, at least) at the Caramoor Festival. In progress are Welcome to the Madness with Leanna Kirchoff (Opera Steamboat), Manor of Speaking with Kevin Thomas Townley, Jr., and Three Amputators with Royce Vavrek, among others.
Rachel’s musicals include Only Children with Michael R. Jackson (NYU Tisch, Lincoln Center Directors Lab), Tiny Feats of Cowardice with Susan Bernfield (NYC Fringe Festival), Write Left with John Walch (Playwrights Horizons Theatre School), Tomato Red (UC Irvine), and Octopus Heart (NYU Steinhardt). Scores for plays include Stretch (a fantasia) (New Georges) and Tania in the Getaway Van (Flea Theater) by Susan Bernfield, Transatlantic by John Walch (Arkansas Rep), The Bacchae (Asolo Rep Conservatory), and several works by Stan Richardson.
Her concert mini-monodrama, Ethel Smyth Plays Golf in Limbo, written for Albatross Duo, was performed at Semperoper Dresden and continues to enjoy performances all over the US. Other concert works include If You Can Prove That I Should Set You Free (Albany Symphony), Jack's Vocabulary (Hartt SPASM), I Live Here (Galapagos Art Space), Canon I (Two Sides Sounding), and Fronds: The Wisdom of Fanny Fern (Walt Whitman Project). Rachel’s extensive catalogue of art songs and cabaret songs has been performed at Lincoln Center, Second Stage, National Opera Center, Symphony Space, National Sawdust, Ars Nova, Joe's Pub, and cabarets and theatres nationwide. Rachel is a contributor to the new generation of The AIDS Quilt Songbook. Additionally, her music appears on Michael R. Jackson’s Dirty Laundry and Zachary James’s CALL OUT albums.
Rachel has held residencies as composer and/or librettist at Kimmel Harding Nelson Center, Yaddo, Millay Arts, Brush Creek Arts, and Soaring Gardens Artists Retreat. OPERA America awarded her a Female Composers Discovery Grant to write Manor of Speaking, the first wholly original work for Stephanie Blythe’s drag tenor alter ego, Blythely Oratonio; other such grants were awarded to Sarasota Opera for Rootabaga Country and to her collaborator Leanna Kirchoff for their opera, Friday After Friday. Rachel is a proud alumna of New Dramatists Composer-Librettist Studio, The American Opera Project, and John Duffy Institute for New Opera. She holds a double B.A. summa cum laude from Brandeis University and an MFA from NYU's Graduate Musical Theatre Writing Program, and she serves on the Opera Committee of the Dramatists Guild.
- Community Theatre
- Bachelor’s Degree
- Master’s Degree
- NYC/Tri-State Area
Interested in touring?
- Theatrical Composer (Music and Lyrics)
- Theatrical Composer (Music only)
- Theatrical Lyricist
- Theatrical Bookwriter
- Opera Librettist
- Vocal Arranger
- Incidental Music Composer/Arranger
- Music Transcriber
- Arts Administration
- THE DRAMATISTS GUILD