bloglovinBloglovin iconCombined ShapeCreated with Sketch. Fill 1Created with Sketch. Fill 1Created with Sketch. Fill 1Created with Sketch. Fill 1Created with Sketch. Fill 1Created with Sketch. rssRSS iconsoundcloudSoundCloud iconFill 1Created with Sketch. Fill 1Created with Sketch. Fill 1Created with Sketch. Fill 1Created with Sketch.

Carol Spradling

Email Carol

Carol Spradling

  • She/Her

    • Biography

    My training and experience includes on-stage performing (over 60 roles, European tours and regional theaters), voice instruction and coaching tailored for actors, pit playing/conducting, choral sound development, and stage directing. My favorite work is where I can synthesize three or four of these overlapping skills in a way that finds a unique approach to an artistic challenge. "Bespoke" is my middle name (seriously; I'm looking into this). Other confessions: I have a mild hoarding situation when it comes to keyboards and pianos. And I think every studio needs at least one dog, possibly two.

    Professional Experience

    • Regional
    • Concerts/Cabaret
    • Education
    • Tours

    Regions

    • London/United Kingdom
    • Other Countries

    Maestra Expertise

    • Music Director/Conductor (Pianist)
    • Music Director/Conductor (Baton)
    • Vocal Director and/or Choral Prep
    • Instrumentalist/Pit Musician
    • Audition Pianist
    • Class/Voice Lesson/Rehearsal Pianist
    • Rehearsal Pianist
    • Voice Teacher (Private Studio)
    • Voice Teacher (Educational Institution)

    Primary Instruments

    • Organ
    • Piano
    • Voice

    Software

    • Finale
    • MainStage
    • Sibelius

    Affiliations

    • ACTORS EQUITY ASSOCIATION (AEA)
    • THE AMERICAN FEDERATION OF MUSICIANS (AFM)
    • NATIONAL ASSOCIATION OF TEACHERS OF SINGING (NATS)