Carol Spradling
Biography
My training and experience includes on-stage performing (over 60 roles, European tours and regional theaters), voice instruction and coaching tailored for actors, pit playing/conducting, choral sound development, and stage directing. My favorite work is where I can synthesize three or four of these overlapping skills in a way that finds a unique approach to an artistic challenge. "Bespoke" is my middle name (seriously; I'm looking into this). Other confessions: I have a mild hoarding situation when it comes to keyboards and pianos. And I think every studio needs at least one dog, possibly two.
Professional Experience
- Regional
- Concerts/Cabaret
- Education
- Tours
Regions
- London/United Kingdom
- Other Countries
Maestra Expertise
- Music Director/Conductor (Pianist)
- Music Director/Conductor (Baton)
- Vocal Director and/or Choral Prep
- Instrumentalist/Pit Musician
- Audition Pianist
- Class/Voice Lesson/Rehearsal Pianist
- Rehearsal Pianist
- Voice Teacher (Private Studio)
- Voice Teacher (Educational Institution)
Primary Instruments
- Organ
- Piano
- Voice
Software
- Finale
- MainStage
- Sibelius
Affiliations
- ACTORS EQUITY ASSOCIATION (AEA)
- THE AMERICAN FEDERATION OF MUSICIANS (AFM)
- NATIONAL ASSOCIATION OF TEACHERS OF SINGING (NATS)